Bilge Serdar G?ks¨¹l¨¹k

• Riaz, Maham; Guo, Jinyue; G?ks¨¹l¨¹k, Bilge Serdar & Jensenius, Alexander Refsum (2025). Where is That Bird? The Impact of Artificial Birdsong in Public Indoor Environments. I Sei?a, Mariana & Wirfs-Brock, Jordan (Red.), AM '25: Proceedings of the 20th International Audio Mostly Conference. Association for Computing Machinery (ACM). ISSN 9798400708183. Vis sammendrag

  This paper explores the effects of nature sounds, specifically bird sounds, on human experience and behavior in indoor public environments. We report on an intervention study where we introduced an interactive sound device to alter the soundscape. Phenomenological observations and a survey showed that participants noticed and engaged with the bird sounds primarily through causal listening; that is, they attempted to identify the sound source. Participants generally responded positively to the bird sounds, appreciating the calmness and surprise it brought to the environment. The analyses revealed that relative loudness was a key factor influencing the experience. A too-high sound level may feel unpleasant, while a too-low sound level makes it unnoticeable due to background noise. These findings highlight the importance of automatic level adjustments and considering acoustic conditions in soundscape interventions. Our study contributes to a broader discourse on sound perception, human interaction with sonic spaces, and the potential of auditory design in public indoor environments.

• G?ks¨¹l¨¹k, Bilge Serdar (2024). The clash between physical and digital realm: hybrid movement training during the pandemic. Discover Education. 3(1). doi: 10.1007/s44217-024-00158-y. Fulltekst i vitenarkiv
• G?ks¨¹l¨¹k, Bilge Serdar (2024). Digital intervention into dramaturgical thoughts: The dramaturgy of remote dance improvisation. I Parviainen, Pessi & Rouhiainen, Leena (Red.), Solvitur Ambulando "solved by moving" : dramaturgies of artistic research : proceedings of CARPA8. Theatre Academy, University of the Arts. ISSN 9789523530744. doi: https:/nivel.teak.fi/carpa8/digital-intervention-into-dramaturgical-thoughts-the-dramaturgy-of-remote-dance-improvisation/.
• G?ks¨¹l¨¹k, Bilge Serdar (2021). ¡®Soma¡¯ ¨C A New Body Phenomenon: Somatic Practices in Theatre Directing and Director Training. I Satkov¨¢, Na?a (Red.), Tendencies in contemporary theatre directing and theatre-directing education ¨C Book of Proceedings 2018 Theatre Conference JAMU. Jan¨¢?ek Academy of Performing Arts Atelier 205 / Academic Studies . doi: 10.13140/RG.2.2.23874.59846.
• G?ks¨¹l¨¹k, Bilge Serdar (2021). Bedenle?me ve Enaksiyon Teorilerinin ?a?da? Tiyatro Uygulamalar?na Yans?malar?: Oyunculuk E?itiminde Somatik Yakla??m. Journal of Theater Critisim and Dramaturgy. ISSN 2687-4636. 0, s. 145¨C168. doi: 10.26650/jtcd.908412.
• G?ks¨¹l¨¹k, Bilge Serdar (2015). Dans?n ?ocuk ve Gen?lerle Kurdu?u ?leti?imin Niteli?i: Estetik Mesafe, ?zde?le?me ve Estetik Deneyim. Creative Drama Journal. ISSN 1305-8177. doi: 10.21612/yader.2015.006.
• G?ks¨¹l¨¹k, Bilge Serdar (2014). Las Posibilidades de la Danza Como una Experiencia ¨¦st¨¦tica en el Teatro Para Ni?os y J¨®venes. ASSITEJ ESPANA Bolet¨ªn Iberoamericano de Teatro para la Infancia y la Juventud (BITIJ). ISSN 0210-9182. 11, s. 193¨C211. doi: 10.13140/RG.2.2.33940.92808.

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• G?ks¨¹l¨¹k, Bilge Serdar (2024). Immersive Technologies and Their Implications in Theatre for Young Audiences:Challenges and Opportunities. C?ndido. ISBN 9786587602479. 15 s. Vis sammendrag

  Today¡¯s immersive technology creates a real-like ambience, offering a unique interactive and multimodal experience onstage. These implications might look promising for new aesthetic forms. However, using them on the stage in this technology-driven world raises some concerns about their potential long-term impact on young people¡¯s development. In this paper, I will critically evaluate the use of immersive technology in TYA, questioning whether performing arts can offer a new form of aesthetic experience.

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• G?ks¨¹l¨¹k, Bilge Serdar & Tidemann, Aleksander (2024). Digital Collaboration in Dance and Music: Remote Interaction and Improvisation with Zoom and LoLa. doi: https:/www.ultima.no/en/ulysses-online-session-remote-connections-co-creation-across-distances. Vis sammendrag

  This digital forum explores artistic collaboration through online platforms, examining how technology can facilitate sustainable and eco-friendly ways of creating music collectively. Participants will gain insights into artist-driven initiatives and practical tools for creative co-creation, regardless of geographical distance. Following three short presentations from invited contributors, there will be an open dialogue and exchange of experiences, allowing ULYSSES artists to share their own projects.

• G?ks¨¹l¨¹k, Bilge Serdar (2024). Conducting Semi-Structured Dance Research in Motion Capture Labs.
• G?ks¨¹l¨¹k, Bilge Serdar (2024). Remote Intercorporeality Through Telematic Technologies.
• G?ks¨¹l¨¹k, Bilge Serdar (2024). Remote Dance Improvisation Through Advanced Telematic Technologies.
• G?ks¨¹l¨¹k, Bilge Serdar (2024). Immersive Technologies in TYA: Bodily Concerns, Challenges and Opportunities.
• G?ks¨¹l¨¹k, Bilge Serdar (2024). Immersive Technologies and Their Implications in Theatre for Young Audiences.
• G?ks¨¹l¨¹k, Bilge Serdar; Tidemann, Aleksander & Jensenius, Alexander Refsum (2024). Telematic Testing: One Performance in Three Locations.
• G?ks¨¹l¨¹k, Bilge Serdar (2023). From Ritualistic Dance to Political Act: Embodying Oppositions Through Dancing Halay in Mass Demonstrations of Turkey.
• G?ks¨¹l¨¹k, Bilge Serdar (2023). The Implications of Laban/Bartenieff Movement Studies in the Field of Dance Anthropology. Vis sammendrag

  In my presentation, I will discuss the application of LBMS in the field of dance anthropology and provide insights into its future implications. While kinetography (Labanotation) is commonly recognized and used in dance anthropology, the embodied aspects of Laban¡¯s work are often overlooked. Therefore, I will focus on the embodied aspects of LBMS in dance anthropology, rather than just notation. To start, I will provide a general overview of how dance analysis is understood within the discipline of dance anthropology. Then, I will argue how LBMS impacts the discourse of dance analysis. In the second part of my presentation, I will bolster my argument with an example by analyzing a short segment of the Caucasian folk dance 'Zafak' performed by the Nalmes State Folk Dance Company of Adygea. Through this example, I aim to demonstrate how dance analysis using LBMS can contribute to anthropological research.

• G?ks¨¹l¨¹k, Bilge Serdar (2023). The Challenges and Possibilities of The Hybrid Format Creative Process.
• G?ks¨¹l¨¹k, Bilge Serdar (2023). Phenomenological Inquiry of Movement as a Methodology in Performing Arts Education.
• G?ks¨¹l¨¹k, Bilge Serdar (2023). Embodied Knowledge Production Through Telematics in the Hybrid Realm.
• G?ks¨¹l¨¹k, Bilge Serdar (2023). Digital Intervention Into Dramaturgical Thoughts.
• G?ks¨¹l¨¹k, Bilge Serdar (2023). Hybrid Format Movement Training Under the Pandemic Measures: A Clash Between Physical and Digital Realm.
• G?ks¨¹l¨¹k, Bilge Serdar (2023). Performative Quality of Aesthetics in Bio-Cultural Paradigm.
• G?ks¨¹l¨¹k, Bilge Serdar (2022). From Bodily Interactions to Embodied Concepts.

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