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            <h1>INTIMAL: Interfaces for Relational Listening – Body, Memory, Migration, Telematics 
      
      
        (completed)
      </h1>
            
      
        <div class="vrtx-introduction"><p>INTIMAL explores the body as an “interface” for keeping and transforming the memory of place in migratory contexts. The aim is to develop and explore a physical-virtual “embodied system” for relational listening.</p>
</div>
      
            
      

      
      
      
      
      

      
        
        

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              <h2>About the project</h2>

<p>INTIMAL: Interfaces for Relational Listening – Body, Memory, Migration, Telematics, is envisioned as a long term sustainable&nbsp;modular system for interfaces for relational listening&nbsp;that incorporate customizable tools for ‘tuning’ in our contemporary sense of place, through telematic sonic performance artistic practice.&nbsp;</p>

<p>Taking as a case study the experience of Colombian migrant women in three cities of Europe: Oslo, London and Barcelona, INTIMAL will be informed by their listening experiences and tested as a catalyst in a process of healing and reconciliation within the context of Colombian post-conflict and peace building.&nbsp;</p>

<p></p>

<h2>Objectives</h2>

<p>The research objectives are:</p>

<ol>
	<li>To create an interactive retrieval system of oral archives, which combines semantic and prosodic forms, to facilitate the creative and relational listening to memories of place and conflict;</li>
	<li>To explore women's multivocal experience as it creates connections with the body and the feelings of loss associated with place and conflict;</li>
	<li>To develop interaction possibilities in the physical-virtual space as "dream space-networked state", that facilitates agency through improvisatory actions between performers, transforming narratives of the self, and the others, as expanded embodied vocal expressions.</li>
</ol>

<h2>Performance</h2>

<p>The INTIMAL project culminated in a long-distance performance between Oslo, Barcelona and London in May 2019.</p>

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<h2>Duration</h2>

<p>01.09.2017 - 31.08.2019</p>

<h2>Collaborators</h2>

<ul>
	<li>Commission of Truth, memory and reconciliation of Colombian Women in Diaspora</li>
	<li>CRiSAP, Creative Research into Sound Arts Practice, LCC, University of the Arts London</li>
	<li>Fundació Phonos Cultura i Tecnologia Musical, University Pompeu Fabra</li>
	<li>IKLECTIK Art Lab, London</li>
	<li>The Center for Deep Listening, Rensselaer Polytechnic Institute</li>
</ul>

            </div>
            
	  
	  

    
    

    
    

	  
	    
	    
	      <h2>Selected publications</h2>
	      <ul class="vrtx-external-publications">
	<li>Alarcón, Ximena (2020) <a href="https://thesampler.org/guest-editor/telematic-sonic-performance-part-1/" rel="noreferrer noopener" target="_blank">Telematic Sonic Performance</a>. Internet article for The Sampler.</li>
	<li>Alarcon Diaz, Ximena and Alexander Refsum Jensenius (2019). <a href="https://www.scienceopen.com/document?vid=562880ea-1ba4-4110-b85a-1bdd05097a4a" rel="noreferrer noopener" target="_blank">“Ellos no están entendiendo nada” [“They are not understanding anything”]: embodied remembering as complex narrative in a Telematic Sonic Improvisation</a>. BCS Learning and Development Ltd. Proceedings of RE:SOUND 2019</li>
	<li>Alarcon Diaz, Ximena, Paul Boddie, Cagri Erdem, Eigil Aandahl, Elias Sukken Andersen, Eirik Dahl, Mari Lesteberg, and Alexander Refsum Jensenius.&nbsp;<a href="https://commons.library.stonybrook.edu/jonma/vol1/iss1/3/" rel="noopener noreferrer" target="_blank"><span class="color_19">“Sensing Place and Presence in an INTIMAL Long-Distance Improvisation.”</span></a>&nbsp;Journal of Network Music and Arts&nbsp;1, 1 (2019).&nbsp;<a href="https://commons.library.stonybrook.edu/jonma/" rel="noopener" target="_blank">https://commons.library.stonybrook.edu/jonma/</a></li>
	<li>Alarcón Diaz, Ximena; Lopez Bojórquez, Lucia Nikolaia; Lartillot, Olivier &amp; Flamtermesky, Helga (2019).&nbsp;<a href="http://revistaacervo.an.gov.br/index.php/revistaacervo/issue/view/59" target="?_blank">From collecting an archive to artistic practice in the INTIMAL project: lessons learned from listening to a Colombian migrant women’s oral history archive.</a>&nbsp;Acervo. Revista do Arquivo Nacional. ISSN 0102-700X. 32(3), 48- 63</li>
	<li>Alarcón Díaz, Ximena; Gonzalez Sanchez, Victor Evaristo; Erdem, Cagri. (2019).&nbsp;<a href="https://hdl.handle.net/10852/68786" target="?_blank">“INTIMAL: Walking to find place, breathing to feel presence”</a>. Proceedings of the International Conference on New Interfaces for Musical Expression 2019</li>
	<li>Alarcón Díaz, Ximena (2019).&nbsp;<a href="https://somaesthetics.aau.dk/index.php/JOS/article/view/2393" target="?_blank">“Conceptual design for INTIMAL: a physical/virtual embodied system for Relational Listening”</a>. Somaesthetics and Technology. Journal of Somaesthetics Vol 4 No 2, March 2019</li>
</ul>

	    
	  
            

            
      
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        <span class="published-date-label">Published</span> <span class="published-date">Apr. 4, 2018 2:22 PM </span>
        
          - <span class="last-modified-date">Last modified</span> <span class="last-modified-date">Mar. 7, 2021 12:34 PM</span>
        
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          <h2>Contact</h2>
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            <p><a href="https://www.ximenaalarcon.net/">Ximena Alarcón Diaz</a></p>

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                  <span class="vrtx-participant-name">Ximena Alarcón Diaz</span>

                    <span class="vrtx-participant-affiliation">
University of Oslo                    </span>

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                  <a href="/ritmo/english/people/management/alexanje/index.html" class="vrtx-participant-name">Alexander Refsum Jensenius</a>

                    <span class="vrtx-participant-affiliation">
University of Oslo                    </span>

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          <a class="all-messages" href="/ritmo/english/projects/completed-projects/intimal/index.html?vrtx=list-related-persons">Detailed list of participants</a>
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          <h2>Financing</h2>

<p>This project has received funding from the European Union’s Horizon 2020 research and innovation programme under the Marie Sk?odowska-Curie grant agreement No 752884.</p>

<p><img alt="" height="100" src="/english/research/research-excellence/images/eu-flagg.jpg" width="150" loading="lazy"/></p>

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